STUDIES IN ABORIGINAL DECORATIVE ART

Collecting Aboriginal Art in the Australian Nation: Two Case Studies

Visual Anthropology Review, Volume 21, Issues 1 and 2, pages 116-137, ISSN 1053-7147, online ISSN 1548-7458. ©2006 by the American Anthropological Association, all rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press; Journals Division; 2000 Center Street, Suite 303; Berkeley, CA 94704-1223. By now, it is well known that Aboriginal ...

Cost Reduction Studies of Decorative Laminates

Barrier paper, which is made of bleached absorbent kraft pulp, is a significant layer of decorative laminates, since it controls the see-through of brown color of saturating kraft paper and its opacifying effect usually is achieved by a heavy loading of TiO2. The TiO2, due to its very small particle size, passes between the cellulosic fibers and drains into the white water. To overcome this pro...

Digital recording of aboriginal rock art

A technique to digitally document and thereby permanently preserve prehistoric rock art has been developed. Laser scanning and texture mapping from digital images were used. Methods involving texture mapping require the exact relationships between the image and geometrical sensors. For geological structures, such as caves, the distinctive features required for registering the texture with the g...

Historical ironies: the Australian Aboriginal art revolution*

Margaret Preston, an Australian painter, has been credited as the first nonanthropologist to begin to explore Australian Aboriginal art as an art. Preston saw in Aboriginal painting the well-spring for an ‘indigenous art of Australia’. The seeking of a national identity, and specifically a connection with place, is common to many if not most societies, reflecting a Herderian idea of art, langua...

On Cross-Cultural Interpretations of Aboriginal Art